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Clear your calendar - It's going down! Splash Blocks kicks off on March 16th, and you're invited to take part in the festivities.

About The Event

Clear your calendar - It's going down! Quote Blocks kicks off on April 26th, and you're invited to take part in the festivities. Join us for a day of fun and excitement. Come one, come all, bring a guest, and hang loose. This is going to be epic!

Clear your calendar - It's going down! Quote Blocks kicks off on May 18th, and you're invited to take part in the festivities. Join us for a day of fun and excitement. Come one, come all, bring a guest, and hang loose. This is going to be epic!

R. Harrison

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Clean and Simple

Clear your calendar - It's going down! Text Blocks kicks off on May 20th, and you're invited to take part in the festivities. Splash HQ (122 W 26th St) is our meeting spot for a night of fun and excitement. Come one, come all, bring a guest, and hang loose. This is going to be epic!


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SUPPLEMENT

PROJECTS + ARTS.BLACK


present


2 & a Possible

June
 
15
 - 
August 
04
4:00PM
 - 
7:00PM
















Photo credit: Stefan Hagen

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Location

Simply Good

212 NW 73rd St. Miami

please note, we have moved from the previous location

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Featuring :

 

GeoVanna Gonzalez, Naima Green and Najja Moon

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2 & a Possible

Supplement Projects + ARTS.BLACK present

 

2 & a Possible

The table is a microcosm of infrastructure. A long table implies hierarchy. There’s a head of the table, an illustration of patriarchy. Service starts and ends at a place. For artists, GeoVanna Gonzalez and Najja Moon, designing a group of objects that reject this place setting means every decision is imagined as an equal opportunity access point. Motivated by Naima Green’s Pur·suit deck which features photographs of queer womxn, trans, non-binary, and gender-nonconforming people, Gonzalez and Moon approach this project considering the complexity of  

 


function as they challenge how an object can be absolved of expectations attached to gender. During Miami Art Week, Supplement Projects will host a spades tournament where Green’s cards will be accompanied with excessive amounts of shit talking at a table designed by Gonzalez and Moon. In the spirit of all the great, queer, magical, blackness that is this place setting, the art journal, ARTS.BLACK is supporting this project as a collaborator, and celebrating their 5 year anniversary.

 



Sponsors Block #1

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Starting your own business and picking the right niche in no time

ARTS.BLACK is a journal of art criticism from Black perspectives predicated on the belief that art criticism should be an accessible dialogue – a tool through which we question, celebrate, and talk back to the global world of contemporary art. The journal is edited by Taylor Renee and Jessica Lynne.

previous exhibitions

Supplement Projects
11
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24
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2019
3:00PM
 - 
6:00PM
















Photo credit: Stefan Hagen

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FEATURING:
Frita’s Autonomous Department, Hugo Montoya, Ernesto Oroza, Bhavisha Panchia, Stephanie Wakefield, Radical Archives.

 

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2nd International Encounter of Objects and Walls: Miami Edition

is one of twelve satellite events initiated by Tlaxcala 3 (Mexico City) and the Institute of Endotic Research (Berlin) critically engaging with the 30th anniversary since the fall of the Berlin Wall. Comprised of a film screening, a round table discussion, a listening station, and a documentary exercise in recipe recreation, the Miami edition hosted by Supplement Projects, will focus on the ways in which ideas of "progress" evolve, de-evolve, and change over time. This one day encounter invites participants to consider a “wall” as more than a physical or historical marker, but instead as a departure point to examine before and afters, insides and outsides, and ultimately the way in which ideas of progress are formed, clash, or are propelled forward and upward by power and hegemonic structures.


ORGANIZED BY:
GeoVanna Gonzalez & Natalia Zuluaga

Program

 

3pm
“Vaya a casa e infórmese sobre Bolivia” a film screening with Frita's Autonomous Department


4pm
Documentary exercise in recipe reproduction from “Con Nuestros Propios Esfuerzos” and “El Libro de la Familia” with Ernesto Oroza



4:30pm
Group discussion led by Stephanie Wakefield on “Inhabiting the Anthropocene Back Loop” 


5pm
"AABBCCDV" (2012), 12” record by Erik Smith. Listening session with Radical Archives


 

Program Downloads


Con Nuestros Propios Esfuerzos

El Libro de la Familia

Inhabiting the Anthropocene back loop

by Stephanie Wakefield. 

[UNSUBSCRIBE]

March
 
31
 - 
May 
26
4:00PM
 - 
4:00PM
















Photo credit: Stefan Hagen

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FEATURING: 

Danny Agnew, Will Fredo, Paloma Izquierdo, Pastiche Lumumba, Joiri Minaya, Kandis Williams.

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[UNSUBSCRIBE]

is a group show comprised of artists who use visual language dominant in the digital realm to engage questions of e-identity formation, and social interactions that play out in our imaginations--despite the absence of a physical presence.


The exhibition considers the internet as a place not void of strategic categorization and intervention.  In Will Fredo’s short film TRAMA, he chronicles his own family history. He fuses pivotal scenes from telenovelas and viral moments within social media. He also includes news coverage of tragic events in Guatemalan history like the Indigenous occupation and subsequent burning of the Spanish embassy in 1980. Fredo’s interpretation borders the ironic in its quest to display a complex and traumatic collective history.

 

Part of the human condition is a waving preoccupation with our own mortality and impermanence. These artists are interested in the internet as ephemeral, and also, its capacity to provide a glimpse into how our contributions are archived and remain beyond our physical existence.

In Joiri Minaya’s process for #dominicanwomengooglesearch she cuts out images from a google search for “Dominican women.” She collages body parts with a cliche’ tropical print resulting in a critique of the tropical imagination and sexualization of Caribbean womxn as exotic, seductive, and consenting without exception. This juxtaposition engages questions of conditioned desire and highlights the tension between our ability to manipulate an algorithm insistent on classifying our online behavior, and the unfolding of our own understanding of shared culture, identity, and gender norms.


In  [Unsubscribe] the internet serves as a source shaped by many communities, human and non-human, to present complex perspectives on heteronormativity, economic sense, social engagement, and identity. While we welcome the internet’s limitlessness potential, we insist on remaining critical of its use, dissemination of information, and perception as neutral turf

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 Curated by: GeoVanna Gonzalez and  Naiomy Guerrero. 

Header photo credit: Stefan Hagen.

 

The Body as a centerpiece

March
 
31
 - 
May 
26
4:00PM
 - 
4:00PM

FEATURING

Mahogany L. Browne (NY), Lizania Cruz (NYC), Juan Pablo Garza (MIA),  

Nun (MIA), Natalia Lassalle-Morillo (LA), Cecil McDonald (IL), and Michelle Lisa Polissaint (MIA).

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FEATURING:


Mahogany L. Browne (NYC)

Lizania Cruz (NYC)

Juan Pablo Garza (MIA)

Nun (MIA)

Natalia Lassalle-Morillo (LA)

Cecil McDonald (IL)

Michelle Lisa Polissaint (MIA)

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The body as a centerpiece

is an exhibition hosted in a shared home and backyard. This domestic, private space is used as a lens through which the intricacies of identity, memory, and tradition can be explored. The exhibition seeks to export and amplify messages communicated by our bodies and how they relate to the gaps and rooms in our domestic spaces.

 

A fundamental shift in how we live together and apart from each other is taking place. Multigenerational and communal households are increasing rapidly, as are one-parent families. More of us are choosing to live alone, but we still inhabit the same architecture as we shape our identities, grow into our bodies. We continue to sit around the same kitchen table as we share the stories of our days.


Households are haunted by old conventions that don’t serve our current needs. The discord between our nature to lean into the traditional and our newfound desire to act on what feels liberating or contemporary is often translated through tension and distress.

 

As participating artist Mahogany L. Browne writers, “There is risk in the reveal. The domestic space, the space where we prepare to perform our public selves, the space where we retreat, to recharge, to revitalize our spirits for yet another go around with this thing called life. This space, the domestic space is the backstage of life.”

 

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Rest Stop | Soft Opening




Dec 2 - 9, 2018

During Miami Art Week, Supplement Projects launched its ‘soft opening’. The ‘Rest Stops’, offered coffee and tea while organizations, artists, curators and others presented, shared work, or just took part in conversations; it offered a time to connect with others in a very human and personal way, in a space that felt far 

 removed from the manic energy of Miami Art Week. Many thanks to Najja Moon, Rosie Gordon-Wallace, P.D.P (Public Displays of Professionalism), Third Horizon, Larry Ossei-Mensah and Esther Park for hosting

every city and country’s infrastructure already has the resources, spaces, and people necessary to create and share art in provocatively new and challenging ways – they just need to be activated.

"

"

GeoVanna Gonzalez

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Info

About

Supplement Projects is a communal home and a studio, alternative art space & community meeting point. The project explores ideas of domesticity with the urban landscape. As a place of comfort, communication, gathering and rest, it offers a provocative alternative to the often commercialized, hyperreal spaces of art galleries and institutions.

GeoVanna Gonzalez

Supplement Projects is run by Miami/Berlin based artist and arts organizer GeoVanna Gonzalez

Contact

General Inquiries:
Tel: +1 310 733 9680

supplementprojects@gmail.com

Instagram

Open By Appointment Only

Press

Contemporary& 

Daily Lazy

Voyage MIA

Oolite Arts

 




Supplement Projects is supported by the Ellies, Miami’s visual arts awards, presented by Oolite Arts.

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